Angry sounding fuzz, but fairly well-behaved; nice authoritative voice.
Based on the earliest fuzz pedal design, that is hard to find, expensive, and typically all sound different from one another; they have an interestingly bright sustaining sound on the high strings, and surprisingly good chord articulation for something so grindy and fuzzy.
I designed this using silicon transistors for temperature sensitivity and consistency from unit to unit. Oh also they're cheaper and easier to source. But anyway, I did tune this thing to sound like the old ones that use very oldschool germanium transistors. I got it to stay nicely biased and polite, but then I backed up that process ever so slightly so that it is capable of sounding just a little bit broken--makes it much more interesting and fun!
The original circuit's "Attack" (also called "Filter" in the Marshall Supa Fuzz) was a dumb bias control that didn't actually lower the gain but made the signal cut out when turned down low. I changed it completely, made it useful (but still not a gain control), and renamed it "OVERLOAD" instead.
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The OVERLOAD knob takes the sound into 3 variations of voicing...
Decent amount of guitar volume cleanup; gets more polite and defined, at least
Excellent midrange cut
Marc,
I am so very pleased with this soundscape beyond words.....
It's taken me a while to dial it in with my stuff but I am beyond thrilled
with where it's going.
I just spent very loud hours with the Martian and it is terrifyingly
excellent thru a few different scenarios.
I don't usually write thank you letters but your finely tuned sense of
frequency offering warrants one.
Thank you again,
Dave
So I recorded this straight into a an Iphone 8
I used an ESP Phoenix II with both humbuckers ( '59 neck & JB bridge) into the Tarantula (overload around 11 o'clock) feeding both a Marshall JCM800 and a Tech 21 TM60 ( clean channel ) each driving their own Marshall 1936 2x12 cab with stock Celestion G12-T75's
For the chord voicings and riffs I tend to use, this pedal is monstrous in it's treatment of all of the edges of the notes, Ie, crispy, full and articulate.
I love how it sags but doesn't phart out while giving sizzle right in that low midrange where it really shines. The high end doesn't get fizzy either.
Using Ibanez SZ with PAF style humbuckers
Not demonstrated: any guitar-volume clean-up, which eliminates the glitchiness and sag completely
(video) Skreddy Martian Tarantula with humbuckers